Then there are the miracles of the performances by Harry Dean Stanton, Nastassja Kinski and Hunter Carson (the son of Karen Black and . Kit Carson). Stanton has long inhabited the darker corners of American noir, with his lean face and hungry eyes, and here he creates a sad poetry. Kinski, a German, perfects the flat, half-educated accent of a Texas girl who married a "raggedy" older man for reasons no doubt involving a hard childhood. Young Carson, debating relativity and the origin of the universe, then asking even harder questions such as "why did she leave us?" has that ability some child actors have, of presenting truth without decoration. We care so much for their family, framed lonely and unsure, within a great emptiness.
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