I am only at Tip #2 and can already feel my “inner writer” coming back to life. I’ve been torturing myself for so long — many new ideas and perspectives to share and nothing but dread at the thought of the actual writing. I was always such a “good student”, and by the time I finished grad school I no longer enjoyed either reading or writing. Pretty sad statement, even sadder that the ill effects have lasted three decades.
The only writing advice I’ve read so far basically boils down to: it’s work, you just have to do it, set aside a specific time and force yourself…. all about as appealing as my mother’s shoe leather lamb chops. I can’t thank you enough for your approach. I think it’s going to work for me, and just know I am immensely grateful beyond what words can express. Yes!
If we want to see more diversity in Classics, we have to work harder as public historians to change the narrative — by talking to filmmakers, writing mainstream articles, annotating our academic writing and making it open access, and doing more outreach that emphasizes the vast palette of skin tones in the ancient Mediterranean. I’m not suggesting that we go, with a bucket in hand, and attempt to repaint every white marble statue across the country. However, I believe that tactics such as better museum signage, the presentation of 3D reconstructions alongside originals, and the use of computerized light projections can help produce a contextual framework for understanding classical sculpture as it truly was. It may have taken just one classical statue to influence the false construction of race, but it will take many of us to tear it down. We have the power to return color to the ancient world, but it has to start with us.
Known for spending lavishly on books, wine and, above all else, his beloved Monticello, Jefferson left his heirs under a small mountain of debt when he died on July 4 , 1826. His daughter, Martha Randolph, was forced to sell the estate, which had already entered the early stages of decay due to years of neglect. In 1836, it was bought by Uriah Levy, a real estate speculator who was the first Jewish American to serve an entire career as a commissioned Navy officer; he and his nephew, Jefferson Monroe Levy, are largely responsible for its restoration and preservation. The Thomas Jefferson Foundation, a nonprofit organization, purchased the property in 1923 and continues to operate it as a museum and educational institution.