Love him or hate him, many of our readers may know enough about Daniel C. Dennett to have formed some opinion of his work. While Dennett can be a soft-spoken, jovial presence, he doesn’t suffer fuzzy thinking or banal platitudes— what he calls “deepities”—lightly. Whether he’s explaining (or explaining away) consciousness , religion , or free will , Dennett’s materialist philosophy leaves little-to-no room for mystical speculation or sentimentalism. So it should come as no surprise that his latest book, Intuition Pumps And Other Tools for Thinking , is a hard-headed how-to for cutting through common cognitive biases and logical fallacies.
Didion continues to write with as much style and sensitivity as she did in her first collection, her voice refined by a lifetime of experience in self-examination and piercing critical appraisal. She got her start at Vogue in the late fifties, and in 2011, she published an autobiographical essay there that returns to the theme of “yearning for a glamorous, grown up life” that she explored in “Goodbye to All That.” In “ Sable and Dark Glasses ,” Didion’s gaze is steadier, her focus this time not on the naïve young woman tempered and hardened by New York, but on herself as a child “determined to bypass childhood” and emerge as a poised, self-confident 24-year old sophisticate—the perfect New Yorker she never became.