An essential feature of religious experience across many cultures is the intuitive feeling of God's presence. More than any rituals or doctrines, it is this experience that anchors religious faith, yet it has been largely ignored in the scientific literature on religion.
"... [Dr. Wathey's] book delves into the biological origins of this compelling feeling, attributing it to innate neural circuitry that evolved to promote the mother-child bond...[He] argues that evolution has programmed the infant brain to expect the presence of a loving being who responds to the child's needs. As the infant grows into adulthood, this innate feeling is eventually transferred to the realm of religion, where it is reactivated through the symbols, imagery, and rituals of worship. The author interprets our various conceptions of God in biological terms as illusory supernormal stimuli that fill an emotional and cognitive vacuum left over from infancy.
These insights shed new light on some of the most vexing puzzles of religion, like:
Quite a while before “green” was the new black; Dr. Seuss wrote a cautionary story about trees. The Lorax, originally published in 1971 by Dr. Seuss, became a classic children’s book. The classic was recently turned into an animated film. In 2012, The Lorax film was made by directors Chris Renaud and Kyle Balda (“The Lorax”). The book and the film have the same basic storyline; however, there are a few differences. The Lorax film is more in depth than the book. The book, The Lorax went through many changes to become a film.
The Lorax written by Dr. Seuss is a classic children’s book about a mysterious forest creature named the Lorax. The Lorax speaks for the trees; he shows up when the Once-ler, a young entrepreneur, starts to cut down trees to make a thneed. The Once-ler tells a young unnamed boy the story about why the Lorax left and why there are no more trees. At the end, the boy receives the last Truffula Tree seed from the Once-ler. The Lorax film is about a young boy named Ted who wants to find out about trees after his crush Audrey said that she would marry the boy who got her a Truffula Tree seed. Ted goes to the Once-ler’s house. The Once-ler tells Ted about why the Lorax left and why there are no more trees. At the end of the film, Ted receives the last Truffula Tree seed. He and Audrey plant the seed in the middle of Thneedville. Truffula Trees start to grow again and the Lorax returns to speak to the Once-ler. The Lorax is a great, cautionary tale. According to Puig, “Anyone older than 10 can discern that herein lies a parable of green vs. greed. All ages are likely to find the cautionary tale entertaining as well as illuminating. Some might even find it galvanizing” (par. 10).
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... Evolution of The Lorax From a Book to a Movie.” Wired. Condé Nast. 22 . Web. 08 Dec. 2013.
Lincoln, Ross. “The Lorax Director Chris Renaud On How He Used 'It's Always Sunny In Philadelphia' To Land Danny DeVito.” Box Office. Box Office Media, LLC, 02 Mar. 2012. Web. 08 Dec. 2013.
The Lorax. Dir. Chris Renaud and Kyle Balda. 2012. Universal Pictures, 2012. DVD
“The Lorax.” IMDb. Inc, 2013. Web. 08 Dec. 2013.
Petrie, Dennis and Boggs, Joseph. The Art of Watching Films. New York: McGraw Hill, 2012. Print.
Puig, Claudia. “Suess’ ‘The Lorax’ delievers an evergreen message.” Rev. of The Lorax, dir. Christ Renaud and Kyle Balda. USA Today. Gannett Co. Inc, 02 Mar. 2012. Web. 09 Dec. 2013.
Shell, Nick. “The Lorax: A Book and Movie Review.” Rev. of The Lorax, dir. Chris Renaud and Kyle Balda. Parents. Meredith Corp, 13 Feb. 2013. Web. 08 Dec. 2013.
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The good news is that is still reasonably agile: remember, agility is situational. At first, you only need a high-level, loosely detailed schedule; the details are identified throughout the project JIT . Similarly, at first your estimate will involve a large range (if "greater accuracy" is needed, provide a figure closer to the top of the range and hope for the best) which will be narrowed down as the project progresses . The end result is that based on your actuals you will update your estimates throughout the project, narrowing the estimate range over time. These narrowing estimates are referred to as a "cone of uncertainty", a phrase coined by Barry Boehm.